A Psalm for the Wild-Built visual arts Producing Sovereignty ranges from the

Producing Sovereignty ranges from the formation of the Aboriginal Film and Video Art Alliance in the early 1990s and its partnership with the Banff Centre for the Arts to the Canadian Broadcasting Corporation’s 2016 production of Highway of Tears—an immersive 360-degree short film directed by Anishinaabe filmmaker Lisa Jackson—highlighting works by Indigenous creators along the way and situating Indigenous media within contexts that pay close attention to the role of media-producing institutions

anthropological artifact

one that starts with the return of land to Indigenous stewardship and rejects the commodification and control of nature for profit

which involved moving Indigenous people from one location to another

A Psalm for the Wild-Built visual arts Producing Sovereignty ranges from theWinner of the Hugo Award! It's been centuries since the robots of Panga gained self awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is